The Abstract

So I just sent in the final, completed, combined project to my university’s digital collection. And as promised, here’s the abstract:

Once Upon a Movie Screen: Four Favourite Fairy Tales and Their Disney Film Adaptations

 

“Cinderella”, “Sleeping Beauty”, “Beauty and the Beast” and “The Frog Prince” belong to the list of perennially favourite fairy tales, important parts of the canon of Western folklore. The reason for their popularity is the underlying story of each tale, which is empowering for its audience. Viewers and readers are able to experience the plot of a story through identification with the protagonist. These fairy tale plots are inherently empowering through their base story of the transformation from a spell-bound or oppressed existence to radiant happiness, a transformation that is either experienced or effected by the young woman who is the protagonist of the story. Fairy tales are re-told in myriad ways and often change significantly in detail during this process; however, each of the versions retains the key plot elements while adapting to the time and place of its telling. The example of these four fairy tales shows that the Baroque and Romantic fairy tale collectors – Charles Perrault, Mme de Villeneuve, Mme de Beaumont and the Brothers Grimm – adapt their versions to their culture as much as the Disney company does with their films. The Disney variants of the fairy tales take their place alongside the older written versions as a form of modern American folklore, disseminating the tales to today’s audiences.

And there you have it – two-and-a half years of grad school, condensed into one paragraph. It’s been a good ride.

I’ll let you know when the paper is posted publicly in the uni library for reading.

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